William Shakespeare's A Midsummer Night's Dream movie review (1999)
This causes all sorts of confusions, not least when Titania, the Fairy Queen herself, falls in love with a weaver who has grown donkey's ears. The weaver is Bottom (Kevin Kline), and he and the mischievous Puck (Stanley Tucci) are the most important characters in the play, although it also involves dukes, kings, queens and high-born lovers. Bottom has a good heart and bumbles through, and Puck (also called Robin Goodfellow) spreads misunderstanding wherever he goes. The young lovers are pawns in a magic show: When they can't see the one they love, they love the one they see.
Michael Hoffman's new film of "William Shakespeare's a Midsummer Night's Dream" (who else's?) is updated to the 19th century, set in Italy and furnished with bicycles and operatic interludes. But it is founded on Shakespeare's language and is faithful, by and large, to the original play. Harold Bloom complains in his wise best seller, Shakespeare: The Invention of the Human, that the play's romantic capers have been twisted by modern adaptations into "the notion that sexual violence and bestiality are at the center of this humane and wise drama." He might approve of this version, which is gentle and lighthearted, and portrays Bottom not as a lustful animal but as a nice enough fellow who has had the misfortune to wake up with donkey's ears--"amiably innocent, and not very bawdy," as Bloom describes him.
Kevin Kline is, of course, the embodiment of amiability, as he bashfully parries the passionate advances of Titania (Michelle Pfeiffer). Her eyes have been anointed with magical ointment at the behest of her husband, Oberon (Rupert Everett), who hopes to steal away the young boy they both dote on. When she opens them to regard Bottom, she is besotted with love and inspired to some of Shakespeare's most lyrical poetry: I'll give thee fairies to attend on thee; And they shall fetch thee jewels from the deep, And sing, while thou on pressed flowers dost sleep. Meanwhile, more magical potions, distributed carelessly by Puck, have hopelessly confused the relationships among four young people who were introduced at the beginning of the play. They are Helena (Calista Flockhart), Hermia (Anna Friel), Demetrius (Christian Bale) and Lysander (Dominic West). Now follow this closely: Hermia has been promised by her father to Demetrius, but she loves Lysander. Demetrius was Helena's lover, but now claims to prefer Hermia. Hermia is offered three cruel choices by the duke, Theseus (David Strathairn): marry according to her father's wishes, go into a convent or die. Desperate, she flees to a nearby wood with Lysander, her true love. Helena, who loves Demetrius, tips him off to follow them; maybe if he sees his intended in the arms of another man, he will return to Helena's arms.
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